https://gihoonkim.com gihoonkim Thu, 15 Feb 2024 11:41:58 +0000 https://gihoonkim.com en https://gihoonkim.com/Main Sun, 12 Dec 2021 14:09:43 +0000 gihoonkim https://gihoonkim.com/Main https://gihoonkim.com/Mobile-header Thu, 09 Dec 2021 14:33:13 +0000 gihoonkim https://gihoonkim.com/Mobile-header https://gihoonkim.com/22885740 Thu, 09 Dec 2021 14:33:15 +0000 gihoonkim https://gihoonkim.com/22885740 자국이 남았다 사진 연작, 가변크기, 2024 &lt;자국이 남았다&gt;는 강원도 고성 지역에서 누락되거나 부재한 역사적 이야기를 사진적 시선을 통해 재배치하고자 하는 목적으로 촬영된 쇼케이스 전시다. 고성이라는 지역의 특정 장소와 그 주변 환경에 관한 이야기를 사진을 통해 추출하고자 하며, 사진 매체적 특징에 따라 선명함과 흐림, 앞서 드러남과 뒤에 감춰짐, 사진 틀 밖과 안, 표상과 현상 등의 이분화된 구조 안에서 왕래하며 지속적인 기록의 가치를 재현하고자 한다. Il reste une traceSérie de photographies, Variable dimension, 2024 &lt;Il reste une trace&gt; est une exposition dans le cadre du projet de guide d'extinction* dans le but de relocaliser les histoires historiques disparues ou absentes dans la région de Goseong du Gangwon-do à travers des perspectives photographiques. L'objectif est d'extraire des histoires sur un lieu spécifique de la région appelée Goseong et son environnement à travers la photographie, et selon les caractéristiques du support photographique, il existe différents aspects tels que la clarté et le flou, révélés avant et cachés derrière, à l'extérieur et à l'intérieur du cadre photo, représentation et phénomène, etc. je cherche à reproduire la valeur des enregistrements continus par des allées et venues au sein d'une structure différenciée. *Le projet Extinction Guide devrait être réalisé en 2025 en produisant un guide touristique qui compile les lieux enregistrés dans &lt;Il reste une trace&gt; et amène le public à visiter ces lieux et à écrire un récit. A trace remains Series of photographs, Variable dimension, 2024 &lt;A Trace Remains&gt; is an exhibition under the Extinction Guide Project* with the aim of relocating missing or missing historical stories in the Goseong area of Gangwon-do through photographic perspectives. The aim is to extract stories about a specific place in the region called Goseong and its environment through photography, and depending on the characteristics of the photographic medium, there are different aspects such as clarity and blur, revealed before and hidden behind, outside and inside the photo frame, representation and phenomenon, etc. I seek to reproduce the value of continuous recordings by comings and goings within a differentiated structure. *The Extinction Guide project is expected to be realized in 2025 by producing a tourist guide that compiles the places recorded in &lt;There is a Trace&gt; and leads the public to visit these places and write a story. <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/fca0dbfd93b6132aef798aad803b972cde7ebbf763668c38b8ecafae98709528/22.jpeg" data-mid="221807227" border="0" src="https://freight.cargo.site/w/1000/i/fca0dbfd93b6132aef798aad803b972cde7ebbf763668c38b8ecafae98709528/22.jpeg" /><img width="6749" height="4499" width_o="6749" height_o="4499" data-src="https://freight.cargo.site/t/original/i/c805b6f7a78e7e90ec1f3de6f64688f2d381b3c7186cff1571cbd68ec0b6f285/33.jpeg" data-mid="221807228" border="0" src="https://freight.cargo.site/w/1000/i/c805b6f7a78e7e90ec1f3de6f64688f2d381b3c7186cff1571cbd68ec0b6f285/33.jpeg" /><img width="6647" height="4431" width_o="6647" height_o="4431" data-src="https://freight.cargo.site/t/original/i/e5aae242b80e4f34ce980b5434d4a3dca50909bd06e253d5ca5f20e7bd17730b/44.jpeg" data-mid="221807229" border="0" src="https://freight.cargo.site/w/1000/i/e5aae242b80e4f34ce980b5434d4a3dca50909bd06e253d5ca5f20e7bd17730b/44.jpeg" /><img width="6884" height="4589" width_o="6884" height_o="4589" data-src="https://freight.cargo.site/t/original/i/e05b518a332f47152700e8750b344e2d14b161c38f9c2b69441e0fc0c1380e4b/66.jpeg" data-mid="221807231" border="0" src="https://freight.cargo.site/w/1000/i/e05b518a332f47152700e8750b344e2d14b161c38f9c2b69441e0fc0c1380e4b/66.jpeg" /><img width="6561" height="4374" width_o="6561" height_o="4374" data-src="https://freight.cargo.site/t/original/i/fd6a2da5525abdbd7007707a26552a041dd28134d5cd0830eadcec54da8ebe6b/55.jpeg" data-mid="221807230" border="0" src="https://freight.cargo.site/w/1000/i/fd6a2da5525abdbd7007707a26552a041dd28134d5cd0830eadcec54da8ebe6b/55.jpeg" /> 찍힌 자국, 사진, 연작 1번, 90x120cm, 2024찍힌 자국, 사진, 연작 2 - 4번, 50x70cm, 2024찍힌 자국, 사진, 연작 5번 - 25번, 30x40cm, 2024그 곳에 이야기를 해줄 수 있는 사람은 아무도 없었다. 비디오, 10분01초, 2024 <img width="1181" height="1575" width_o="1181" height_o="1575" data-src="https://freight.cargo.site/t/original/i/d6acf5d59c21dccdc7055ea3aaa21cdeb32b15eb86970f46e17a021e6d622d17/_.jpg" data-mid="222331664" border="0" src="https://freight.cargo.site/w/1000/i/d6acf5d59c21dccdc7055ea3aaa21cdeb32b15eb86970f46e17a021e6d622d17/_.jpg" /><img width="1181" height="1653" width_o="1181" height_o="1653" data-src="https://freight.cargo.site/t/original/i/c5f6c84f255766b8808e3453d83bc93767626df61fcdba22e98188689909a6a2/-.jpg" data-mid="222331663" border="0" src="https://freight.cargo.site/w/1000/i/c5f6c84f255766b8808e3453d83bc93767626df61fcdba22e98188689909a6a2/-.jpg" /><img width="1181" height="1653" width_o="1181" height_o="1653" data-src="https://freight.cargo.site/t/original/i/c9d2002c9bbbb2bd20df2c75a607cbd0100fed234ca34c21b4c0cbb2439bbce6/---.jpg" data-mid="222331662" border="0" src="https://freight.cargo.site/w/1000/i/c9d2002c9bbbb2bd20df2c75a607cbd0100fed234ca34c21b4c0cbb2439bbce6/---.jpg" /><img width="1181" height="1653" width_o="1181" height_o="1653" data-src="https://freight.cargo.site/t/original/i/2e15b9e9b7b3d7c8c1524fe7ea54ced43f9d50128f1eacb6a0c0c39ffaa44d1d/-.jpg" data-mid="222331661" border="0" src="https://freight.cargo.site/w/1000/i/2e15b9e9b7b3d7c8c1524fe7ea54ced43f9d50128f1eacb6a0c0c39ffaa44d1d/-.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/c720b986b79b8ed5385fe81eadfde25c5d8576e596c0286a486c8528154d990f/_-2.jpg" data-mid="222331656" border="0" src="https://freight.cargo.site/w/1000/i/c720b986b79b8ed5385fe81eadfde25c5d8576e596c0286a486c8528154d990f/_-2.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/c1be4e0b35415d9baeb73f2d396fe750ad7bf8a78ff7e3e77608f441a7ec5735/_.jpg" data-mid="222331654" border="0" src="https://freight.cargo.site/w/1000/i/c1be4e0b35415d9baeb73f2d396fe750ad7bf8a78ff7e3e77608f441a7ec5735/_.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/9dc6ba76f526c4a8655088536c37968d9152de0f6666514909336bb69573e5b0/---.jpg" data-mid="222331653" border="0" src="https://freight.cargo.site/w/1000/i/9dc6ba76f526c4a8655088536c37968d9152de0f6666514909336bb69573e5b0/---.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/a939a64fc5b17bcb414e8a3cbecc57723697a9258ed5d4c1208651b97b1a1453/-.jpg" data-mid="222331655" border="0" src="https://freight.cargo.site/w/1000/i/a939a64fc5b17bcb414e8a3cbecc57723697a9258ed5d4c1208651b97b1a1453/-.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/053e20dacbb17722fa871ce65082177c82c016ee8756ae63318cbf4c87c34142/--.jpg" data-mid="222331651" border="0" src="https://freight.cargo.site/w/1000/i/053e20dacbb17722fa871ce65082177c82c016ee8756ae63318cbf4c87c34142/--.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/385f7be78f24917663ac4a268ac0f17dc6636941de9d305317fdff17911212c9/-.jpg" data-mid="222331650" border="0" src="https://freight.cargo.site/w/1000/i/385f7be78f24917663ac4a268ac0f17dc6636941de9d305317fdff17911212c9/-.jpg" /><img width="3543" height="4724" width_o="3543" height_o="4724" data-src="https://freight.cargo.site/t/original/i/5f709ae9c522ecb118bc9d9a392c03e0bfdc374bd1705d228b5a4314b3a9bd63/-----2.jpg" data-mid="222331652" border="0" src="https://freight.cargo.site/w/1000/i/5f709ae9c522ecb118bc9d9a392c03e0bfdc374bd1705d228b5a4314b3a9bd63/-----2.jpg" /> https://gihoonkim.com/29963916 Sun, 29 Jan 2023 02:13:12 +0000 gihoonkim https://gihoonkim.com/29963916 세우거나 쓰러지지 않고 구겨진 2024 &lt;세우거나 쓰러지지 않고 구겨진&gt; 전시는 언제, 어떤 순간에 촬영되었는지 알 수 없는 사진들로 구성되어 있다. 이 사진들은 특별한 목적이나 계획 없이 우연히 촬영되어 휴대폰에 저장된 이미지들이다. 작가는 이러한 우연한 사진들을 통해 의도와 계획으로부터 벗어난 무언의 해방감을 경험한다. 이는 무엇을 찍어야 한다는 강박이나 의미를 부여하려는 태도에서 잠시 벗어나게 하며, 예기치 않게 포착된 순간들이 지닌 고유한 가능성에 주목하게 한다. Froissé sans se lever ni tomber2024 L'exposition &lt; Froissé sans se lever ni tomber &gt; est constituée de photos prises accidentellement dont on ne sait ni quand ni comment elles ont été prises et enregistrées sur un téléphone portable. À travers des photos prises accidentellement, l’auteur éprouve un sentiment tacite de libération dans la mesure où elles ont été prises sans aucun plan ni intention. Crumpled without getting up or falling2024 The exhibition &lt; Crumpled without getting up or falling &gt; is made up of accidentally taken photos of which we do not know when or how they were taken and recorded on a mobile phone. Through photos taken accidentally, the author experiences a tacit feeling of liberation to the extent that they were taken without any plan or intention. <img width="9393" height="6262" width_o="9393" height_o="6262" data-src="https://freight.cargo.site/t/original/i/99b651dce0df4e09f4f3334dc2f4d265b623ea35436dc3df90e241c59c31e30f/_11.jpg" data-mid="217069466" border="0" src="https://freight.cargo.site/w/1000/i/99b651dce0df4e09f4f3334dc2f4d265b623ea35436dc3df90e241c59c31e30f/_11.jpg" /><img width="9489" height="6326" width_o="9489" height_o="6326" data-src="https://freight.cargo.site/t/original/i/70d64bf9c9548a898f33488316cf48c16b79505ffca4d3479ab0db364079d768/_9.jpg" data-mid="217069467" border="0" src="https://freight.cargo.site/w/1000/i/70d64bf9c9548a898f33488316cf48c16b79505ffca4d3479ab0db364079d768/_9.jpg" /><img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/0bfc754481726d5cff48cfcfef6b66e9e94ff4d158e7c618d02b4206b9d00196/_0.jpg" data-mid="217069468" border="0" src="https://freight.cargo.site/w/1000/i/0bfc754481726d5cff48cfcfef6b66e9e94ff4d158e7c618d02b4206b9d00196/_0.jpg" /><img width="9403" height="6269" width_o="9403" height_o="6269" data-src="https://freight.cargo.site/t/original/i/1bdd840387ba90f07d7f65baceee634834dae4b4700a4d10f5346841b2d87a76/_1.jpg" data-mid="217069469" border="0" src="https://freight.cargo.site/w/1000/i/1bdd840387ba90f07d7f65baceee634834dae4b4700a4d10f5346841b2d87a76/_1.jpg" /> <img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/cfb9614f80ac0f12ed716e6a768a54887ad9877312248cf8e3c19722d6646a80/_2.jpg" data-mid="217069470" border="0" src="https://freight.cargo.site/w/1000/i/cfb9614f80ac0f12ed716e6a768a54887ad9877312248cf8e3c19722d6646a80/_2.jpg" /> 사진을 찍는다. 사진에 찍힌다. 사진을 구긴다. 사진이 구겨진다. 김기훈은 찍음과 찍힘, 구김과 구겨짐을 양 어깨에 짊어진다. 그리고 일어선다. 떨어뜨리지 않고 흔들림 없이 걸음을 옮기려면 균형이 중요하다. 그러나 반듯이 서기 쉽지 않고, 맥없이 쓰려져버릴 수도 없다. 김기훈은 자기 자신을 세우려 하지 않고 서지 못해 쓰러지지도 않는다. 세우지 않고 쓰러지지 않는 몸은 다만 구겨진다. 그렇게 구겨진 몸으로 건진 사진은 그가 세울 수 없는 한편 스스로 쓰러지지 않는 사진이 된다. 구겨진 채, 서다 말고 쓰러지다 만 상태에 머무는 사진은 움직임을 내포하는 정물이 된다. 사진은 시선의 매체다. 사진을 보는 이는 사진이 보여주는 것이 무엇인지를, 그 무엇을 육하원칙에 입각해 따지기 쉽다. 누가 언제 어디서 무엇을 어떻게 왜 찍었나. 사진에 찍힌 누가 언제 어디서 무엇을 어떻게 왜 했나. 그런가 하면, 사진이 보려는 것도 보여주려는 것도 현실 또는 사실의 실제를 벗어난다면, 이러한 사진은 무엇을 보고 보여주는 것일까. 김기훈은 ‘의도를 덜어내는’ 사진을 손에 든다. 무엇을 볼지 무엇을 보여줄지 ‘집착하지 않으려는’ 카메라를 든다. 그가 렌즈에 눈을 대고 셔터를 누르기 전 또는 그가 렌즈에 눈을 대고 셔터를 누른 후, 다시 말해 사진을 찍기 전과 찍은 후를 잇는 시간의 동선. 사진이 될 수 있는 시간 또는 사진이 되지 않을 시간에 ‘어쩌다 찍힌 사진’이 남는다. 의도도 집착도 멀리한 사진이 김기훈의 손에 주어진다. 사진이 “시선의 권리”를 부여할 때, 김기훈의 사진은 시선의 권리가 주어지기를 주저한다. 어쩌다 찍힌 사진은 김기훈이 보지 못한 순간의 흔적이고, 이 순간 이 흔적은 돌아보는 자의 몫이다. 앞을 내다보는 사진이 아니라 뒤를 돌아보는 사진. 따라서 이러한 사진은 “어떤 사람이 바라보고 자신의 시선 안에 배치하고 붙잡아두고 시야에 간직하거나 사진으로 ‘찍을’ 권리”를 선포하는 데 무심하다. 어쩌다 찍힌 사진은 사진의 의도에 집착하는 시선의 권리가 아니라 의도하지 않고 집착하지 않는 사진의 권리를 내포한다. 어쩌다 찍힌 사진의 어쩌다 존재하는 양상을 포착하는 시선은 명시되지 않고 암시된다. 시선의 권리를 덜어낸다. 우연을 포착한 눈은 놓칠 수 없는 장면을 “재촉”하듯 붙잡는다면, 우연을 다시 쓰는 손은 우연을 “지체”하듯 망설인다. 김기훈은 주어진 장면을 건진 눈으로 의도하지 않고 집착하지 않기를 선호하는 삶을 건지고, 주어진 장면을 만진 손으로 의도하지 않고 집착하지 않기를 선호하는 삶을 만진다. 누군가는 그런 삶을 건지고 만진다. 그리고 그렇게 건져지고 만져진 삶의 자세는 세우려 해도 세울 수 없고 쓰러지려 해도 쓰러질 수 없다. 아무도 세우지 않고 스스로 쓰러지지 않는 모든 것은 다만 구겨진다. 세우거나 쓰러지지 않고 구겨진다. 글 평론가 한승은 <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d40fd72af154d7f4c85b1302b94c770501033f0222e8ff175bd2c13e123604c8/IMG_8850.jpg" data-mid="166478497" border="0" src="https://freight.cargo.site/w/1000/i/d40fd72af154d7f4c85b1302b94c770501033f0222e8ff175bd2c13e123604c8/IMG_8850.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/12f16644218d1ea141d80d30a34af2307feba50af9a7883892d6633c3bd1a60f/IMG_6376.JPG" data-mid="166478498" border="0" src="https://freight.cargo.site/w/1000/i/12f16644218d1ea141d80d30a34af2307feba50af9a7883892d6633c3bd1a60f/IMG_6376.JPG" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a4b01998e23c86443ce5634fa4dd5c13d0440bb4d9570468717b616af7012b27/IMG_5558.JPG" data-mid="166478499" border="0" src="https://freight.cargo.site/w/1000/i/a4b01998e23c86443ce5634fa4dd5c13d0440bb4d9570468717b616af7012b27/IMG_5558.JPG" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a53b6a6b0fa22be4242427921e2b537bc4c93dc7ffc8fca2659b487214b991c2/IMG_8852.jpg" data-mid="166478501" border="0" src="https://freight.cargo.site/w/1000/i/a53b6a6b0fa22be4242427921e2b537bc4c93dc7ffc8fca2659b487214b991c2/IMG_8852.jpg" /><img width="12000" height="18000" width_o="12000" height_o="18000" data-src="https://freight.cargo.site/t/original/i/67e4900266b3a19a8fc5eda5f24c9f3d50759d75c5d10112d7db6b6bb1fc2816/5.jpg" data-mid="222331554" border="0" src="https://freight.cargo.site/w/1000/i/67e4900266b3a19a8fc5eda5f24c9f3d50759d75c5d10112d7db6b6bb1fc2816/5.jpg" /> https://gihoonkim.com/35631563 Thu, 15 Feb 2024 11:41:58 +0000 gihoonkim https://gihoonkim.com/35631563 비:주류 2023 &lt;비:주류&gt;는 “예술적 노동과 경제적 노동 사이의 균형은 가능한가?라는 질문에서 시작한 사진 연작이다. 작업 진행 과정에서 균형을 찾기보다 예술 활동과 노동의 균형이 어긋나는 지점을 관찰하기 시작했고, 작가 자신이 처한 리얼리티를 고스란히 담아 단순히 자신의 노동을 작품의 소재나 모티프로 사용한 것이 아니라 작업의 문제의식으로 만들어 사유하고 공론화하고자 한다. 술 짝. 그냥 들기에는 무겁고, 들어 올려 균형이 맞춰지는 순간 가벼워진다. 삶의 무게는 어떤가. 나는 복잡하게 얽힌 여러 상황과 사건, 조건, 제한, 이유, 이야기들로 짓눌리지 않기 위해 필사적으로 그 모든 것들의 균형을 맞추어 삶의 무게를 감당한다. 이것은 술 짝의 물리적 균형을 맞추는 것처럼 다분히 의도적으로 삶의 균형을 맞추려는 여러 시도와 노력으로서의 감당이다. 그렇다면 왜 나는 무게를 지려고 하는가. 들지 않으면 그만 아닌가. 왜 들지 않을 수 없게 되었는가. 나는 왜 드는 것과 동시에 덜어내고 싶은 것인가. 드는 것은 균형을 잡기 위함인가. 균형을 잡는 방법에는 드는 것만이 전부인가. 나는 왜 무거운 무게를 지려 하는가. 나는 왜 무거운 무게를 가져와 등에 메고, 균형을 잡는 것인가. 나는 왜 그 무게 자체를 가볍게 하지 않았는가. 나는 왜 그 무거운 짐을 감당하려 했는가. 그러니까, 나는 왜 이 술 짝을 기어이 들고자 했는가. Tendance minoritaire 2023 &lt;Tendance minoritaire&gt; est une série de photographies née d'une question : «&nbsp;Un équilibre entre travail artistique et travail économique est-il possible&nbsp;?&nbsp;» Plutôt que de rechercher cet équilibre au cours du processus créatif, l'artiste a entrepris d'observer les points de rupture entre activité artistique et travail. En capturant la réalité à laquelle l'artiste est confronté dans son intégralité, l'œuvre ne vise pas seulement à utiliser son travail comme matériau ou motif, mais à le transformer en une prise de conscience critique de l'œuvre, afin de la contempler et de la soumettre au débat public. Caisse à bouteille. Il est lourd à soulever, mais il devient léger dès qu’on le soulève et atteint l'équilibre. Quel est le poids de la vie ? Je supporte le poids de la vie en essayant désespérément d'équilibrer toutes les situations, événements, conditions, limitations, raisons et histoires compliquées afin de ne pas être alourdi. Il s'agit d'un processus composé de nombreuses tentatives et d'efforts visant à équilibrer intentionnellement la vie, tout comme l'équilibre physique d'un partenaire qui boit. Alors pourquoi est-ce que j'essaie de porter du poids ? N'est-ce pas suffisant si je ne le soulève pas ? Pourquoi n'avais-je pas d'autre choix que de le soulever ? Pourquoi est-ce que je veux soulever et perdre du poids en même temps ? Est-ce que soulever des objets permet de maintenir l'équilibre ? Est-ce que soulever le poids est le seul moyen d’atteindre l’équilibre ? Pourquoi est-ce que je veux porter des poids lourds ? Pourquoi est-ce que j'apporte des poids lourds, que je les porte sur mon dos et que je les équilibre ? Pourquoi n'ai-je pas allégé le poids lui-même ? Pourquoi ai-je essayé de supporter ce lourd fardeau ? donc, Pourquoi avais-je envie de prendre cette bouteille d'alcool ? Fringe 2023 &lt;Fringe&gt; is a series of photographs born from the question: “Is a balance between artistic and economic labor possible?” Rather than seeking this balance during the creative process, the artist set out to observe the points of rupture between artistic activity and labor. By capturing the reality the artist faces in its entirety, the work aims not only to use their labor as material or motif, but to transform it into a critical awareness of the work itself, in order to contemplate it and submit it to public debate. Bottle crate. It is heavy to lift, but it becomes light as soon as you lift it and achieve balance. What is the weight of life? I carry the weight of life desperately trying to balance all the situations, events, conditions, limitations, reasons, and complicated stories so as not to be weighed down. It is a process of many attempts and efforts to intentionally balance life, much like the physical balance of a drinking partner. So why am I trying to carry weight? Isn't it enough if I don't raise it? Why did I have no choice but to lift it? Why do I want to lift and lose weight at the same time? Does lifting help you maintain balance? Is lifting the weight the only way to achieve balance? Why do I want to carry heavy weights? Why do I bring heavy weights and carry them on my back and balance them? Why didn't I reduce the weight itself? Why did I try to carry this heavy burden? SO, Why did I want to take this bottle of alcohol? <img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/bd5c3428abb048d2e12f150b791a1b4d4264157b19c57cae18eaaf952bb3ab48/1.jpg" data-mid="204876981" border="0" src="https://freight.cargo.site/w/1000/i/bd5c3428abb048d2e12f150b791a1b4d4264157b19c57cae18eaaf952bb3ab48/1.jpg" /><img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/9b6a06c312b90e297de4ca555a2c5d52781180d1ba862ca2f3fd3d9bb7fa9902/2.jpg" data-mid="204876982" border="0" src="https://freight.cargo.site/w/1000/i/9b6a06c312b90e297de4ca555a2c5d52781180d1ba862ca2f3fd3d9bb7fa9902/2.jpg" /><img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/737fcb52b9c531ac36de654d7b089b1f1147f827b85ea4e42c6058fb32a9ed75/3.jpg" data-mid="204876983" border="0" src="https://freight.cargo.site/w/1000/i/737fcb52b9c531ac36de654d7b089b1f1147f827b85ea4e42c6058fb32a9ed75/3.jpg" /><img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/2c16e8de3be6fc121aa9ba8d6502924d1efa6a37d004d291d83e3e4fb8e8c1dd/4.jpg" data-mid="204876984" border="0" src="https://freight.cargo.site/w/1000/i/2c16e8de3be6fc121aa9ba8d6502924d1efa6a37d004d291d83e3e4fb8e8c1dd/4.jpg" /><img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/37be7075277cda32674d415ff54f121e3a860acdcbe6a5795730c639f15e251d/5.jpg" data-mid="204876985" border="0" src="https://freight.cargo.site/w/1000/i/37be7075277cda32674d415ff54f121e3a860acdcbe6a5795730c639f15e251d/5.jpg" /><img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/4f0ca3ea2e1e0e06c628b91dd7daf836e3f29fefa2f5bcac38862d664e528195/6.jpg" data-mid="204876986" border="0" src="https://freight.cargo.site/w/1000/i/4f0ca3ea2e1e0e06c628b91dd7daf836e3f29fefa2f5bcac38862d664e528195/6.jpg" /><img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/4abd2fa1dc65e84266ead860e2a25f210f8c1b86de65e1b14198a18e62a09852/7.jpg" data-mid="204876987" border="0" src="https://freight.cargo.site/w/1000/i/4abd2fa1dc65e84266ead860e2a25f210f8c1b86de65e1b14198a18e62a09852/7.jpg" /> <img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/20e569523c334d54737a1c6892111c6144882af2181f6a1608794743d6372114/8.jpg" data-mid="204876988" border="0" src="https://freight.cargo.site/w/1000/i/20e569523c334d54737a1c6892111c6144882af2181f6a1608794743d6372114/8.jpg" /> 전시 제목 &lt;&lt;비:주류&gt;&gt;는 가운데 쌍점(콜론)이 있음에도 불구하고 비주류(非主流)로 읽힌다. 그런데 사진 속에 첩첩이 술 운반상자들이 등장하면서 주류가 술의 종류를 뜻하는 주류(酒類)가 아닌가고 고개가 갸웃해진다. 주류 앞에 비(非)가 서니, 이제는 다시 주류가 아니라는 의미로 바뀌다가 쌍점을 의식하는 순간 비(非)는 주류와 등가를 이루는 알 수 없는 무엇으로 바뀐다. 프랑스의 예술학교(Haute école des arts du rhin)에서 순수미술을 전공하고, 마르세유와 대전에서 3번의 개인전을 열었으나 아직 국내에 잘 알려지지 않았다는 점에서 작가 자신도 ‘비주류’다. 작업노트에는, 제일 먼저 ‘술 짝’이라는 단어가 등장한다. 술을 운반하기 쉽게 담아 둔 주류상자를 일컫는 주류 운반업계 현장의 말이다. 술 짝은, 마치 관용어로 쓰일 때의 짐짝을 연상시킨다. 방해되어서 덜어버리고 싶은 대상이다. 그러나 그럴 수 없다. 작가에게 술 짝을 나르는 일은, 예술활동을 지속하기 위해서 병행해야만 하는 생업활동이기 때문이다. 김기훈의 &lt;&lt;비:주류&gt;&gt;는 ‘예술적 노동과 경제적 노동 사이의 균형은 가능한가?’라는 질문에서 시작한 사진 시리즈다. 작가는 지난 1여 년간 주 4일 고용조건으로 주류 유통업에 종사하며, 나머지 3일은 작업과 기획 등의 예술 활동을 해왔다. “처음에는 시간과 에너지를 잘 분배하면 될 문제라고 생각했습니다. 정신노동과 육체노동의 안배도 적절해 보였고요. 하지만 둘 사이에서 균형을 잡기란 쉽지 않았습니다. 노동의 강도는 너무 강했고, 육체적 피로 때문에 머리 쓰는 일조차 벅찼어요.” 균형을 찾기보다 예술 활동과 노동의 균형이 어긋나는 지점을 관찰하기 시작한 것이 그때부터다. 무거운 술 짝들을 등에 지고 옮기다가 손과 팔, 다리에 생긴 상처와 그 흔적을 폴라로이드 카메라로 촬영했다. 그것이 &lt;&lt;비:주류&gt;&gt;의 일부분인 &lt;영광&gt;이다. &lt;주4일제&gt;에는 차곡차곡 쌓인 술 짝 너머로 먼 풍경을 바라보는 작가의 시선이 담겨있다. 희미한 근거리의 풍경과 선명한 먼 곳의 풍경이 예술과 생업의 관계처럼 대척을 이룬다. 유일한 흑백사진인 &lt;누가 웅덩이에 자갈을 채웠는가&gt;는 주류 유통회사 입구의 포장도로와 비포장도로의 경계를 찍은 것이다. 작가에게 이곳은 예술가와 주류 유통업자 사이를 오가는 통로이자 관문이다. 배경을 알기 전까지 언뜻 밋밋하고 고요해 보이는 사진들은, 추상적인 개념이 아니라 작가 자신이 처한 리얼리티를 고스란히 담고 있다. 평론가 이슬비의 표현대로라면, “피 냄새, 땀 냄새, 살냄새가 물씬 배어 있”는 것이다. 단순히 자신의 노동을 작품의 소재나 모티프로 사용한 것이 아니라 작업의 문제의식으로 만들어 사유하고 공론화한다. 글 사진위주 류가헌 <img width="1181" height="1181" width_o="1181" height_o="1181" data-src="https://freight.cargo.site/t/original/i/9c137b6f136815999f356377228508556163c246e0041e33b0c287ae635273b2/---_1.jpg" data-mid="222329737" border="0" src="https://freight.cargo.site/w/1000/i/9c137b6f136815999f356377228508556163c246e0041e33b0c287ae635273b2/---_1.jpg" /> <img width="835" height="1181" width_o="835" height_o="1181" data-src="https://freight.cargo.site/t/original/i/a345d849898301ef2700e98cbab123ac1b954039b24700a47e1c73d10acbcc03/_1.jpg" data-mid="222329739" border="0" src="https://freight.cargo.site/w/835/i/a345d849898301ef2700e98cbab123ac1b954039b24700a47e1c73d10acbcc03/_1.jpg" /><img width="827" height="1181" width_o="827" height_o="1181" data-src="https://freight.cargo.site/t/original/i/6de344bc498c90ae7c2ac66653dfe5df34950e4ec58c045a32fb3f10617485c0/4_2.jpg" data-mid="222329746" border="0" src="https://freight.cargo.site/w/827/i/6de344bc498c90ae7c2ac66653dfe5df34950e4ec58c045a32fb3f10617485c0/4_2.jpg" /><img width="827" height="1181" width_o="827" height_o="1181" data-src="https://freight.cargo.site/t/original/i/a5c654063b4d30a74817d145f7be04301db6e13dca100a473eca407be7c22f9b/4_1.jpg" data-mid="222329745" border="0" src="https://freight.cargo.site/w/827/i/a5c654063b4d30a74817d145f7be04301db6e13dca100a473eca407be7c22f9b/4_1.jpg" /><img width="827" height="1181" width_o="827" height_o="1181" data-src="https://freight.cargo.site/t/original/i/5277d17114ee95914aa5e2106f0cdd00de7abbf7e858381ac1b982a32f23c07d/4_4.jpg" data-mid="222329748" border="0" src="https://freight.cargo.site/w/827/i/5277d17114ee95914aa5e2106f0cdd00de7abbf7e858381ac1b982a32f23c07d/4_4.jpg" /><img width="827" height="1181" width_o="827" height_o="1181" data-src="https://freight.cargo.site/t/original/i/8a414ff513bfd9dd96d802eeff55e6f05ee640aad815537f890c4dd270a4bef7/4_3.jpg" data-mid="222329747" border="0" src="https://freight.cargo.site/w/827/i/8a414ff513bfd9dd96d802eeff55e6f05ee640aad815537f890c4dd270a4bef7/4_3.jpg" /><img width="1687" height="1181" width_o="1687" height_o="1181" data-src="https://freight.cargo.site/t/original/i/fc29b56d937469429f39b429ffaf4154b6d18c6db574d169867e90009594e19a/4_7.jpg" data-mid="222329751" border="0" src="https://freight.cargo.site/w/1000/i/fc29b56d937469429f39b429ffaf4154b6d18c6db574d169867e90009594e19a/4_7.jpg" /><img width="844" height="1181" width_o="844" height_o="1181" data-src="https://freight.cargo.site/t/original/i/4ebc7276276e8564779ad363f4935100ead00b4ce725c204ea7dc21cd90d1c99/4_6.jpg" data-mid="222329750" border="0" src="https://freight.cargo.site/w/844/i/4ebc7276276e8564779ad363f4935100ead00b4ce725c204ea7dc21cd90d1c99/4_6.jpg" /><img width="844" height="1181" width_o="844" height_o="1181" data-src="https://freight.cargo.site/t/original/i/a8b9e613aef6d508a15c16db86b5f20a6b3ed1ed4f363d74ebb9dec3c04f701d/4_5.jpg" data-mid="222329749" border="0" src="https://freight.cargo.site/w/844/i/a8b9e613aef6d508a15c16db86b5f20a6b3ed1ed4f363d74ebb9dec3c04f701d/4_5.jpg" /> https://gihoonkim.com/22885741 Thu, 09 Dec 2021 14:33:15 +0000 gihoonkim https://gihoonkim.com/22885741 전단지 테이프 사진연작, 가변크기, 2019 - 2024 여러 행위의 시간이 중첩된 공간에는 부재의 흔적만이 남아 있다. 이미 기능을 다한 전단지와 스티커는 더 이상 무엇인가를 전달하지 않지만, 그 잔여물은 오히려 부재의 형태를 드러낸다. 작가는 이러한 흔적들 속에서 끊임없이 생산되고 소비되는 한국 사회의 속도와 마주하며, 그 틈에 남겨진 공백을 사유의 공간으로 인식한다. 역할을 상실한 표면들은 지나간 시간과 행위들을 암시하며, 잠시 멈춰 서서 바라볼 수 있는 여백을 만들어낸다. Ruban adhésif coloré 23 Série de photographies, Corée du Sud, Variable dimension&nbsp; 2019 - 2024 Les restes d'un autocollant sont un reflet de la vitesse sociale, un espoir et une volonté de s'en affranchir ou de la retenir. Cela montre l’absence d'espace où le temps des différentes actions se chevauchent. Colored adhesive tape 23 Series of photographs, South Korea, Variable dimension, 2019 - 2024 The remains of a sticker are a reflection of social speed, a hope and a desire to free oneself from it or to retain it. This shows the absence of space where the time of different actions overlap. <img width="9421" height="5299" width_o="9421" height_o="5299" data-src="https://freight.cargo.site/t/original/i/045b0be98db88cb05e114e8a231e3fdac40194aa4a33307cd72e98fccaf83882/--_4.jpg" data-mid="215095560" border="0" src="https://freight.cargo.site/w/1000/i/045b0be98db88cb05e114e8a231e3fdac40194aa4a33307cd72e98fccaf83882/--_4.jpg" /><img width="9504" height="5346" width_o="9504" height_o="5346" data-src="https://freight.cargo.site/t/original/i/1cb5d3c55492cd62d9fa35d1a13412ac7a7d410578bbc8e2e6da4e81c9718bd7/--_2.jpg" data-mid="215095558" border="0" src="https://freight.cargo.site/w/1000/i/1cb5d3c55492cd62d9fa35d1a13412ac7a7d410578bbc8e2e6da4e81c9718bd7/--_2.jpg" /> <img width="9427" height="5303" width_o="9427" height_o="5303" data-src="https://freight.cargo.site/t/original/i/de224a436658e5cdfe451b52d7c9b6b0042163f20ebb272c238bc88ed480f37a/--_3.jpg" data-mid="215095559" border="0" src="https://freight.cargo.site/w/1000/i/de224a436658e5cdfe451b52d7c9b6b0042163f20ebb272c238bc88ed480f37a/--_3.jpg" /> 비어있는 부재의 공간 작가는 전단지가 뜯겨 나간 네 변의 테이프 자국의 찐득찐득한 흔적을 빈 공간, 즉 사유의 공간으로 인식했다. 전단지를 붙이는 행위와 떼는 행위가 반복되어 남겨진 수십 개의 테이프 자국. 작가에게 이 자국은 어느 꼭짓점을 네 변으로 이어도 한 비어있는 공간으로 인식될 뿐이었다. 수많은 정보와 행위들이 겹겹이 쌓이고, 또 뜯겨 만들어진 이 흔적은 비로소 부재의 공간 그리고 빈 공간이 되었다. 비로소 쉬고 있다. 무엇이 있었던 자리. 무엇이 지나간 자리. 그 뒤에는 수많은 시간과 행위를 붙들었던 끈적끈적한 테이프만이 남아있다. 이 테이프는 빈 공간의 표시이다. 이 끈적한 자국은 드디어 숨통을 트였다는 듯, 덕지덕지 남겨진 흔적들 사이를 비집고 사유의 공간을 만들어 낸다. 와르르 쏟아지는 수많은 정보는 빗살같이 지나가고, 때마침 사유의 시간을 마주한다. 하지만, 이마저도 지금은 생경한 풍경이 되고 있다. 빅데이터와 같은 정보홍수에 비하면 매우 느리고 단순한 행위의 반복인 전단지 광고는 이제는 사라져가고 있다. 이전에는 빨랐던 것들이 이제는 느려지고, 더 빠른 무언가는 계속해서 만들어 진다. 이로써 작가가 찾는 부재의 공간, 빈 공간, 사유의 공간도 사라져가고 있다. 글 김들림 &nbsp; <img width="10630" height="14173" width_o="10630" height_o="14173" data-src="https://freight.cargo.site/t/original/i/527adc21b8d2ff37901ad481ab65b0db13fff0ae46a5a724ff74f23b7cdbd57e/-_01.jpg" data-mid="215095553" border="0" src="https://freight.cargo.site/w/1000/i/527adc21b8d2ff37901ad481ab65b0db13fff0ae46a5a724ff74f23b7cdbd57e/-_01.jpg" /><img width="5400" height="7200" width_o="5400" height_o="7200" data-src="https://freight.cargo.site/t/original/i/6bad3aa9f6587d37e2c11f033bbed704481e1ac75a8afc1f3c7d3611dab36de1/-_02.jpg" data-mid="215095554" border="0" src="https://freight.cargo.site/w/1000/i/6bad3aa9f6587d37e2c11f033bbed704481e1ac75a8afc1f3c7d3611dab36de1/-_02.jpg" /><img width="3717" height="4956" width_o="3717" height_o="4956" data-src="https://freight.cargo.site/t/original/i/60bbfb616b3d6a195c622a9c329dc73677a919d06e4422c7b07c07f8e3fdbf53/1_7_sel.jpg" data-mid="127467747" border="0" src="https://freight.cargo.site/w/1000/i/60bbfb616b3d6a195c622a9c329dc73677a919d06e4422c7b07c07f8e3fdbf53/1_7_sel.jpg" /><img width="3755" height="5006" width_o="3755" height_o="5006" data-src="https://freight.cargo.site/t/original/i/8f6a0d0403da8849e4b32babb061fa5efea203cbc487126f7479425cdf8310b9/1_8_sel.jpg" data-mid="127467745" border="0" src="https://freight.cargo.site/w/1000/i/8f6a0d0403da8849e4b32babb061fa5efea203cbc487126f7479425cdf8310b9/1_8_sel.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/5967b69552315a107f248ad19001fea20d234d21925aecc754c9b1ee89cdc57e/3.jpg" data-mid="146262350" border="0" src="https://freight.cargo.site/w/1000/i/5967b69552315a107f248ad19001fea20d234d21925aecc754c9b1ee89cdc57e/3.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/9059d23f8061ed86ec3bc949cd6e357c7a148135a646f901ca002ef8a13e50c4/4.jpg" data-mid="146262352" border="0" src="https://freight.cargo.site/w/1000/i/9059d23f8061ed86ec3bc949cd6e357c7a148135a646f901ca002ef8a13e50c4/4.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/8c0554f56a871e676b0310c8ff5064151a3fa4f774c0b5afa09d58df72b94177/5.jpg" data-mid="146262353" border="0" src="https://freight.cargo.site/w/1000/i/8c0554f56a871e676b0310c8ff5064151a3fa4f774c0b5afa09d58df72b94177/5.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/4dc06d3b6a14900787fa6b5f18faf06b3c99838af15dc63cfdeb25f58fa76646/6.jpg" data-mid="146262354" border="0" src="https://freight.cargo.site/w/1000/i/4dc06d3b6a14900787fa6b5f18faf06b3c99838af15dc63cfdeb25f58fa76646/6.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/13dbf6a29fdec1b26fafb4e62201c503f069949d272953348e1088985661d85b/7.jpg" data-mid="146262355" border="0" src="https://freight.cargo.site/w/1000/i/13dbf6a29fdec1b26fafb4e62201c503f069949d272953348e1088985661d85b/7.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/7bec22e5981570ce11edd8b7c34cf861288080fcd339a6200956384874d9615a/8.jpg" data-mid="146262356" border="0" src="https://freight.cargo.site/w/1000/i/7bec22e5981570ce11edd8b7c34cf861288080fcd339a6200956384874d9615a/8.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/86e0b68df91c31dc01998a3aa9729da253b89db133534b7f3a41f661bcd4a8c7/9.jpg" data-mid="146262357" border="0" src="https://freight.cargo.site/w/1000/i/86e0b68df91c31dc01998a3aa9729da253b89db133534b7f3a41f661bcd4a8c7/9.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/9431b0393e9f0d13a4b3978fa64f4a335e379101a9c759205ab4e23c14281a91/11.jpg" data-mid="146262917" border="0" src="https://freight.cargo.site/w/1000/i/9431b0393e9f0d13a4b3978fa64f4a335e379101a9c759205ab4e23c14281a91/11.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/7d4961bc70b7b4674f7efd3e208853532f55cb1e5d06aec0a6d7682e7b273cc0/12.jpg" data-mid="146262360" border="0" src="https://freight.cargo.site/w/1000/i/7d4961bc70b7b4674f7efd3e208853532f55cb1e5d06aec0a6d7682e7b273cc0/12.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/890465325b8ec6dfb1e29ddd5c42ac66366af416455b346e58c92531ae1d9762/13.jpg" data-mid="146262361" border="0" src="https://freight.cargo.site/w/1000/i/890465325b8ec6dfb1e29ddd5c42ac66366af416455b346e58c92531ae1d9762/13.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/2d8f0f3e30da3698ddf4bef0b091e4dc59331bb19f416effe55fcea59e33fa9b/14.jpg" data-mid="146262362" border="0" src="https://freight.cargo.site/w/1000/i/2d8f0f3e30da3698ddf4bef0b091e4dc59331bb19f416effe55fcea59e33fa9b/14.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/7437ff7bd8f1cba85c0dbb0315722faee50cde42d76af6b9880906698fe371bd/10.jpg" data-mid="146262358" border="0" src="https://freight.cargo.site/w/1000/i/7437ff7bd8f1cba85c0dbb0315722faee50cde42d76af6b9880906698fe371bd/10.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/00cd7592fabbb02f800053767921ba84c75e48a450aa30bebcf4125282fabaa2/16.jpg" data-mid="146262365" border="0" src="https://freight.cargo.site/w/1000/i/00cd7592fabbb02f800053767921ba84c75e48a450aa30bebcf4125282fabaa2/16.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/871d885c6f64385d3ee104bb58b9382e7effb571b6a11f9bd3a30e40c306b3ac/15.jpg" data-mid="146262363" border="0" src="https://freight.cargo.site/w/1000/i/871d885c6f64385d3ee104bb58b9382e7effb571b6a11f9bd3a30e40c306b3ac/15.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/cdc77630c8d3a8e916265da13d7dbfe74337f55c1a3dd03c756714bdc4eac66d/17.jpg" data-mid="146262366" border="0" src="https://freight.cargo.site/w/1000/i/cdc77630c8d3a8e916265da13d7dbfe74337f55c1a3dd03c756714bdc4eac66d/17.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/4dd79d631a6efd157c91a94339caac27e42d40f4257ae1a1e99e7df0d71acc35/19.jpg" data-mid="146262368" border="0" src="https://freight.cargo.site/w/1000/i/4dd79d631a6efd157c91a94339caac27e42d40f4257ae1a1e99e7df0d71acc35/19.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/340fa53193b0c494a6d226553ba314fc9bf4691d59c9021533b66382ff07e998/20.jpg" data-mid="146262369" border="0" src="https://freight.cargo.site/w/1000/i/340fa53193b0c494a6d226553ba314fc9bf4691d59c9021533b66382ff07e998/20.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/9a1c3f147e862bc3426f2adb6e3dc7fcbb8a3e2db8cb9c5e463f3e18abacf579/21.jpg" data-mid="146262370" border="0" src="https://freight.cargo.site/w/1000/i/9a1c3f147e862bc3426f2adb6e3dc7fcbb8a3e2db8cb9c5e463f3e18abacf579/21.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/cf92d8ee9d424032edb878348b7ba04bece2b7b480b18a10bf44dbbb4c725d82/22.jpg" data-mid="146262371" border="0" src="https://freight.cargo.site/w/1000/i/cf92d8ee9d424032edb878348b7ba04bece2b7b480b18a10bf44dbbb4c725d82/22.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/1aaab1ef1bd67abf70ff9b6133ef81436e021b3466240ba7087e0869b22e7e38/23.jpg" data-mid="146262372" border="0" src="https://freight.cargo.site/w/1000/i/1aaab1ef1bd67abf70ff9b6133ef81436e021b3466240ba7087e0869b22e7e38/23.jpg" /><img width="3602" height="4961" width_o="3602" height_o="4961" data-src="https://freight.cargo.site/t/original/i/66a68866994091d6d6b91e6acfa9a8aecffd67da091101b31fe442a7d86ad218/18.jpg" data-mid="146262367" border="0" src="https://freight.cargo.site/w/1000/i/66a68866994091d6d6b91e6acfa9a8aecffd67da091101b31fe442a7d86ad218/18.jpg" /> https://gihoonkim.com/22885733 Thu, 09 Dec 2021 14:33:13 +0000 gihoonkim https://gihoonkim.com/22885733 아무것도 없지 않은 황량한 장소 사진 설치, 가변크기, 2021 &lt;아무것도 없지 않은 황량한 장소&gt;는 미학에 대한 나의 관점을 관찰할 수 있는 방식이자 내가 정의 할 수 있는 시각적 미학의 한계에 대한 고백이다. 일상에서 가끔 본능적으로 나를 멈추게하는 풍경이 있다. 나는 이 풍경을 감상하고 나서 직관적이고 본능적으로 사진을 찍는다. 그러나 사진은 중립적이고 나의 감상은 부재한다. 감상을 통해 촬영된 사진에는 무엇이 남았을까? 어쩌면 사진에 있는 잔여물이야말로 내가 가진 시각의 미학을 규정할 수 있지 않을까? 이 질문에 나는 촬영된 사진을 재구성하고자 하는 욕구가 일었다. 이 조형물은 내 시각의 미학적 증거물로써 등장한다. 이 것들에는 규정하기 어려운 균형, 비례, 질서 같은 것들을 공통적으로 가지고 있다. 사진 기둥은 단단하게 중심을 잡고 있는 것 처럼 보이지만 실제로는 얇은 종이로 이루어져 툭 치면 금세 울렁거리면서 쓰러질 수도 있다. 견고해보이면서도 사진의 가벼운 속성을 긴장 관계 속에서 하나의 독립된 형태로 연출했다. Endroit désolé sans rienSculpture photographique, dimensions variable, 2021 Ce processus est une façon d'observer mon point de vue sur l'esthétique et une confession sur la limite de l'esthétique visuelle que je peux définir. Dans la vie quotidienne, il y a parfois certain paysage qui m'arrête instinctivement. J'apprécie ce paysage. Puis, je prends des photos de manière intuitive et instinctive. Une fois la prise de vue faite, la photographie devient neutre. Qu'est-ce qui reste sur la photo prise ? La photo brute ne peut-elle pas définir l'esthétique de la vision que j'ai ? A partir de cette question, j'aurais le désir de les reconstruire. A partir de la photo, je réalise une sculpture. Cette sculpture est apparue comme une preuve esthétique. Elles ont en commun l'équilibre, la proportion, l'ordre qui sont indéfinissables ; les photos se transforment en images dans cette installation. Cette sculpture photograpgique sous la forme réfractée s’installe sous une forme indépendante mais aussi isolée. Desolate place with nothing Photographic sculpture, variable dimensions, 2021 This process is a way of observing my perspective on aesthetics and a confession about the limit of visual aesthetics that I can define. In daily life, there is sometimes a certain landscape that stops me instinctively. I appreciate this landscape. Then, I take photos intuitively and instinctively. Once the shot is taken, the photography becomes neutral. What remains in the photo taken? Can't the raw photo define the aesthetic of the vision I have? From this question, I would have the desire to rebuild them. From the photo, I create a sculpture. This sculpture appeared as an aesthetic proof. They have in common balance, proportion, order which are indefinable; photos turn into images in this installation. This photograpgic sculpture in the refracted form is installed in an independent but also isolated form. <img width="4020" height="5360" width_o="4020" height_o="5360" data-src="https://freight.cargo.site/t/original/i/7bf355f882e19d15cd343f273e4106b72e8bee6e87197d27af33a9bc61c713e7/endroit-desole-sans-rien_12_selec.jpg" data-mid="127069462" border="0" src="https://freight.cargo.site/w/1000/i/7bf355f882e19d15cd343f273e4106b72e8bee6e87197d27af33a9bc61c713e7/endroit-desole-sans-rien_12_selec.jpg" />Sculpture photographique, 195 x 295 cm,&nbsp; ⌀ 95 cm, Papier RC Mat <img width="4152" height="5536" width_o="4152" height_o="5536" data-src="https://freight.cargo.site/t/original/i/f216af2eb6a15368beddb6b7c95e60fcf5770d9f69e667578f67070cf45fe616/endroit-desole-sans-rien_5_selec.jpg" data-mid="126949552" border="0" src="https://freight.cargo.site/w/1000/i/f216af2eb6a15368beddb6b7c95e60fcf5770d9f69e667578f67070cf45fe616/endroit-desole-sans-rien_5_selec.jpg" />Sculpture photographique, 195 x 295 cm,&nbsp; ⌀ 95 cm, Papier RC Mat <img width="4102" height="5469" width_o="4102" height_o="5469" data-src="https://freight.cargo.site/t/original/i/80f9d90279eabeeb18181c867f5bddc27b761f7e0ac58baa78bb83de2ace2e74/endroit-desole-sans-rien_13_selec.jpg" data-mid="127069517" border="0" src="https://freight.cargo.site/w/1000/i/80f9d90279eabeeb18181c867f5bddc27b761f7e0ac58baa78bb83de2ace2e74/endroit-desole-sans-rien_13_selec.jpg" />Sculpture photographique, 195 x 355 cm,&nbsp; ⌀ 120 cm, Papier RC Mat <img width="4058" height="5411" width_o="4058" height_o="5411" data-src="https://freight.cargo.site/t/original/i/5f2f4fbdf796b392a9062163eba294e5dd32ddcf83001131c7ff035e9b1971cc/endroit-desole-sans-rien_6_selec.jpg" data-mid="127069552" border="0" src="https://freight.cargo.site/w/1000/i/5f2f4fbdf796b392a9062163eba294e5dd32ddcf83001131c7ff035e9b1971cc/endroit-desole-sans-rien_6_selec.jpg" />Sculpture photographique, 195 x 130 cm,&nbsp; ⌀ 35 cm, Papier RC Mat <img width="5426" height="4070" width_o="5426" height_o="4070" data-src="https://freight.cargo.site/t/original/i/f25bc53c2ef726a6a9e0bce3896298bbe769264f6c903eb8169ba74d9976e89c/endroit-desole-sans-rien_3_selec.jpg" data-mid="127069556" border="0" src="https://freight.cargo.site/w/1000/i/f25bc53c2ef726a6a9e0bce3896298bbe769264f6c903eb8169ba74d9976e89c/endroit-desole-sans-rien_3_selec.jpg" />Sculpture photographique, 195 x 130 cm,&nbsp; ⌀ 35 cm, Papier RC Mat <img width="5334" height="4000" width_o="5334" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cf6645269277d39825332aaba454dd11b498b6dd063b69c06a2b87c1767ccb9f/endroit-desole-sans-rien_4_selec.jpg" data-mid="127069554" border="0" src="https://freight.cargo.site/w/1000/i/cf6645269277d39825332aaba454dd11b498b6dd063b69c06a2b87c1767ccb9f/endroit-desole-sans-rien_4_selec.jpg" />Sculpture photographique, 195 x 295 cm,&nbsp; ⌀ 95 cm, Papier RC Mat Vue de l’installation - HEAR https://gihoonkim.com/22885735 Thu, 09 Dec 2021 14:33:13 +0000 gihoonkim https://gihoonkim.com/22885735 부정함으로써 사진 연작, 가변크기, 2020 사진을 찍을 때, 하찮아 보이는 피사체를 그럴싸하게 담아내고 싶은 욕구가 일었다. 보잘 것 없는&nbsp;것이&nbsp;무슨&nbsp;대단한&nbsp;본질이라도&nbsp;가지고&nbsp;있었던&nbsp;것&nbsp;마냥&nbsp;사진을&nbsp;찍었다. 이&nbsp;사물의&nbsp;실존함을&nbsp;인정하면&nbsp;그만인데,&nbsp;나는&nbsp;그것의&nbsp;의미를&nbsp;부여하고,&nbsp;이야기를&nbsp;상상하고,&nbsp;더&nbsp;가치로운&nbsp;상태로서의&nbsp;무언가를&nbsp;만들려고&nbsp;노력했던&nbsp;것이다. 언젠가부터 피사체를&nbsp;그럴싸한&nbsp;본질로 포장하려했던&nbsp;본인의&nbsp;의도가&nbsp;우스웠다. &nbsp; 일회용 물품, 결여된 조각상, 흩어지기 쉬운 흙더미, 균열 등 보잘 것 없어 보이는 사물에 대한 나의 기대는 그 것을 신성하게 여기며 그것이 마치 나에게 어떠한 의미를 가져올 것이라는 허황된 믿음의 산물로 드러난다. En étant refuséSérie de photographies, variable dimension, 2020Lorsque j’ai choisi un sujet pour la prise de vue, il y avait une envie de trouver le sujet plus insignifiant, de lui donner un sens, et de le capturer d'une manière gigantesque J'ai pris des photos comme si cette petite chose avait une grande essence. C'est juste cela, et il suffit de reconnaître l'existence de cet objet. mais j'ai essayé de trouver sa signification, d'imaginer une histoire et de créer quelque chose de plus précieux. Mais, cette recherche n’a pas aboutie. C'était «cela» avant que je ne le rencontre, c'était «cela» même à ce moment-là sur la photographie, et c'était juste «cela» même après que je le quitterai. Le sujet que je regarde existe déjà, alors pourquoi voudrais-je y ajouter une histoire? L'existence seule n'est-elle pas sans valeur Mon intention de trouver quelque chose qui semblait insignifiant et de l'envelopper comme une essence plausible était ridicule. Mon espérance pour les objets apparemment insignifiants, tels que les articles jetables, les statues manquantes, le tas de terre éparpillé, les fissures, etc, est le produit de la vaine croyance que je les considère comme sacrés et qu'ils auraient une certaine signification pour moi. by denying Series of photographs, variable dimensions, 2020 When I chose a subject for shooting, there was a desire to find the subject more insignificant, to give it meaning, and to capture it in a gigantic way. I took photos as if this small thing had a great essence. It is just that, and it is enough to recognize the existence of this object. but I tried to find its meaning, imagine a story and create something more valuable. But this search was unsuccessful. It was “that” before I met him, it was “that” even then in the photograph, and it was just “that” even after I left him. The topic I'm looking at already exists, so why would I want to add a story to it? Isn't existence alone worthless? My intention to find something that seemed insignificant and wrap it up as a plausible essence was ridiculous. My hope for seemingly insignificant objects, such as disposable items, missing statues, scattered piles of dirt, cracks, etc., is a product of the vain belief that I regard them as sacred and that they would have some significance. In my opinion. <img width="3784" height="5045" width_o="3784" height_o="5045" data-src="https://freight.cargo.site/t/original/i/627cefbe6ed3b4a7d32567c31b5a23e89a80179b737071f3619074def4dd9678/colonne-jetable-venice-75-x-100-cm--papier-rc-mat--musee-d-art-decoratif-de-strasbourg-en-france--2020.jpg" data-mid="127352474" border="0" src="https://freight.cargo.site/w/1000/i/627cefbe6ed3b4a7d32567c31b5a23e89a80179b737071f3619074def4dd9678/colonne-jetable-venice-75-x-100-cm--papier-rc-mat--musee-d-art-decoratif-de-strasbourg-en-france--2020.jpg" /><img width="4160" height="5546" width_o="4160" height_o="5546" data-src="https://freight.cargo.site/t/original/i/876e1391e4200e698524993a2a075652a8946b174fb6f9221943efedd51b4eda/pyramide-120-x-150-cm--papier-rc-mat--2020.jpg" data-mid="127352463" border="0" src="https://freight.cargo.site/w/1000/i/876e1391e4200e698524993a2a075652a8946b174fb6f9221943efedd51b4eda/pyramide-120-x-150-cm--papier-rc-mat--2020.jpg" /> <img width="3648" height="4560" width_o="3648" height_o="4560" data-src="https://freight.cargo.site/t/original/i/bdd687d798ee3ec0589615a0eae393a0f8c959c51599972acdabd80255765ef8/colonne-jetable-venice-40-x-50-cm--papier-rc-mat--2017.jpg" data-mid="127352471" border="0" src="https://freight.cargo.site/w/1000/i/bdd687d798ee3ec0589615a0eae393a0f8c959c51599972acdabd80255765ef8/colonne-jetable-venice-40-x-50-cm--papier-rc-mat--2017.jpg" /><img width="3734" height="4978" width_o="3734" height_o="4978" data-src="https://freight.cargo.site/t/original/i/db7a9b3f38840fa37b0784d372bdb2de72eeefc5527c61893c3e87d1d343e133/vierge-a-l-enfant-30-x-40-cm--papier-rc-mat--musee-d-oevure-de-notre-dame-de-strasbourg--2020.jpg" data-mid="127354702" border="0" src="https://freight.cargo.site/w/1000/i/db7a9b3f38840fa37b0784d372bdb2de72eeefc5527c61893c3e87d1d343e133/vierge-a-l-enfant-30-x-40-cm--papier-rc-mat--musee-d-oevure-de-notre-dame-de-strasbourg--2020.jpg" /><img width="3960" height="5280" width_o="3960" height_o="5280" data-src="https://freight.cargo.site/t/original/i/c0ffb76c8cd9a4af23b84f4025eec341cb9a3cc25203c360602ec5181bbf9724/colonne-75-x-100-cm--papier-rc-mat--musee-de-alsacien-de-strasbourg-en-france--2020.jpg" data-mid="127354709" border="0" src="https://freight.cargo.site/w/1000/i/c0ffb76c8cd9a4af23b84f4025eec341cb9a3cc25203c360602ec5181bbf9724/colonne-75-x-100-cm--papier-rc-mat--musee-de-alsacien-de-strasbourg-en-france--2020.jpg" /> <img width="4160" height="5547" width_o="4160" height_o="5547" data-src="https://freight.cargo.site/t/original/i/e721d5d2471b966ada802931be6d77f4a432bad6d1445766ab8ba48881b9c56a/Strasbourg-mur-120-x-150-cm--papier-rc-mat--strasbourg-en-france--2020.jpg" data-mid="127354807" border="0" src="https://freight.cargo.site/w/1000/i/e721d5d2471b966ada802931be6d77f4a432bad6d1445766ab8ba48881b9c56a/Strasbourg-mur-120-x-150-cm--papier-rc-mat--strasbourg-en-france--2020.jpg" /> https://gihoonkim.com/22885737 Thu, 09 Dec 2021 14:33:14 +0000 gihoonkim https://gihoonkim.com/22885737 비 정체성의 초상화 사진 딥틱 연작, 좌 76,2 x 101,6cm, 우 76,2 x 101,6cm, 2012 - 2022 타인을 통해서 판단되어지는 나 자신과 고유한 나 자신의 간극은 어떻게 발생되는가? 연작의 좌측 사진들은 인물 스스로 자신이 작가로부터 촬영되고 있음을 알고 있다. 이 때, 인물은 스스로 자신이기를 바라는 모습으로써 나타 내려고 한다. 반면에, 연작의 우측 사진들은 동일한 장소에서 시간차를 두고 촬영되었으며, 촬영자의 부재를 알린다. 그로 인하여 인물은 자기 망각 효과에 놓이게 된다. 두 사진은 인물의 의식적 시각과 무의식적 시각을 대조함으로써 정체성과 그 정체성을 정의하는 방식에 대해 질문한다. Portrait de non identitéSérie de photographies dyptiques, Gauche 76,2 x 101,6cm, Droit 76,2 x 101,6cm, 2012 - 2022 Comment faire apparaître une décalage entre soi et soi ?Sur une première vue, le modèle se sachant photographié a conscience de son apparence qui sera jugée par les autres.Cette prise de vue est confrontée à celle plus relâchée, prise quelque temps à l’insu du modèle. Portrait of non-identity Series of diptych photographs, Left 76.2 x 101.6cm, Right 76.2 x 101.6cm, 2012 - 2022 How to reveal a gap between oneself and oneself? On a first view, the model knowing that she is being photographed is aware of her appearance which will be judged by others. This shot is compared to the more relaxed one, taken for some time without her knowledge of the model. <img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/e1ee822101a729e3b94ed4b81a16eb9168579b0d32f4c4914d6686eecf718f19/0705_9.jpg" data-mid="222329685" border="0" src="https://freight.cargo.site/w/1000/i/e1ee822101a729e3b94ed4b81a16eb9168579b0d32f4c4914d6686eecf718f19/0705_9.jpg" /><img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/78be76ee9463f360a9ff461b32e048b7050a467815bac8b940bdacbde952b128/0705_3.jpg" data-mid="222329686" border="0" src="https://freight.cargo.site/w/1000/i/78be76ee9463f360a9ff461b32e048b7050a467815bac8b940bdacbde952b128/0705_3.jpg" /><img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/a250eed68183aee68f235fb6e807d5063a09fae5126406902a9b10f94990abf4/0705_4.jpg" data-mid="222329687" 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data-src="https://freight.cargo.site/t/original/i/ff913156654948cf40ec6100faaa07a473dd2951d84f0f3c43a0928873585aa8/Dlelim-gauche.jpg" data-mid="136848373" border="0" src="https://freight.cargo.site/w/1000/i/ff913156654948cf40ec6100faaa07a473dd2951d84f0f3c43a0928873585aa8/Dlelim-gauche.jpg" /> <img width="8999" height="12000" width_o="8999" height_o="12000" data-src="https://freight.cargo.site/t/original/i/e06cb43cf3a90b2ded09decf75d2b6b2625822125315dd84e47142349b19a0ab/Dlelim-droit.jpg" data-mid="136848375" border="0" src="https://freight.cargo.site/w/1000/i/e06cb43cf3a90b2ded09decf75d2b6b2625822125315dd84e47142349b19a0ab/Dlelim-droit.jpg" /> <img width="8999" height="12000" width_o="8999" height_o="12000" data-src="https://freight.cargo.site/t/original/i/88f6f290d9b671ab7df9f2c82cf455a3fef37cbc0a5246423dd7b13b3133928b/Christian-gauche.jpg" data-mid="136848380" border="0" 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/> <img width="8999" height="12000" width_o="8999" height_o="12000" data-src="https://freight.cargo.site/t/original/i/736ef85b0a104a92b319e5bbdec8bf12ac91c3c60718a2488dedc595e7fd038c/Sandy-droit.jpg" data-mid="136848386" border="0" src="https://freight.cargo.site/w/1000/i/736ef85b0a104a92b319e5bbdec8bf12ac91c3c60718a2488dedc595e7fd038c/Sandy-droit.jpg" /> https://gihoonkim.com/22885736 Thu, 09 Dec 2021 14:33:14 +0000 gihoonkim https://gihoonkim.com/22885736 Portrait de non identité비 정체성의 초상화 Vidéo photographique, 12min, Hamburg, Allemagne, 2018 Participant(e)s :&nbsp; Gregor Schussed,&nbsp; Verena Gerjets, Max Kurth,&nbsp; Ansire Sissoko,&nbsp; Martin Gyoe